Balmain Returns to Couture

Balmain Returns to Couture
In an unexpected announcement at WWD’s Retail & Apparel CEO Summit, designer Olivier Rousteing announced that Balmain will be returning to the world of couture this coming January.

“Looking to bring back the Parisian DNA,” Rousteing excitingly shared the news with a committed energy to live up to the task. Throughout his discussion this morning, he commented on the importance of timelessness, the quality you present and knowing your customers. A majority of the modern Balmain hype comes f…

Keep on reading: Balmain Returns to Couture
Source: V Magazine

Balmain Returns to Couture

I’ve Never Flown a Drone. Here’s My Review of the DJI Mavic 2 Pro

I’ve Never Flown a Drone. Here’s My Review of the DJI Mavic 2 Pro

Since the 2010 launch of the Parrot AR.Drone, consumer interest in drones has skyrocketed. DJI’s ubiquitous Phantom, originally released in 2013, has spawned multiple iterations and the company has further developed product lines like the Spark and Mavic to fill various niches and price points.

The drone has become another tool in the storytelling arsenal with its ability to capture incredibly high quality stills and video from a perspective that was once reserved for helicopters or expensive commercial units.

I’ve been tempted to join the drone game for years, but I’ve resisted the urge to dip my toe into the waters because the earliest units were too complicated, large, and expensive. I deferred my dream to other photographers and videographers who had more patience, skill, and need than me.

But over the years, my Instagram feed has been infiltrated with incredible aerial images, and after attending the launch of the DJI Mavic 2 Pro earlier this year, I decided it was time to take one out for a spin. I made my way to the DJI Offices in Soho to pick up a loaner unit, and was promptly asked, “Have you ever flown a drone before?”

“Nope.”

A brief in-person tutorial ensued, followed a few hours later by an email strongly suggesting that I also borrow a smaller, cheaper Spark to practice with. A perfectly reasonable request, which I quickly ignored!

If you’re accustomed to seeing those flying white rectangles (those are Phantoms), you might be surprised by the size and compactness of the Mavic 2. The propeller arms swing and fold into a unit the size of a brick, but significantly lighter. The radio frequency (RF) controller plugs into your smartphone giving you a pretty solid video feed. Omni-directional sensors help the drone avoid obstacles (at least in some flight modes), and the unit is pretty darn easy to fly, even for a neophyte.

Boogie Boarders. Photo by Allen Murabayashi

But let me pause here for a PSA.

The proliferation of drones has led the FAA to require a remote pilot certificate for commercial use. Although recreational use is exempt from this requirement, I spent a few hours familiarizing myself with the rules (e.g. no flying within 5 miles of an airport) and reviewing the airspace maps to get a clear understanding of my potential flight areas. Even little drones can cause devastating damage to aircraft wings, so all drone operators need to exercise caution.

I felt exhilarated the first time (and second and third) time I flew. The experience reminded me of learning to drive a car as a teen and getting on the highway for the first time – what a rush! Controlling the drone and seeing the live birdseye view is almost an ineffable feeling, and reviewing the images and video later on a large screen is incredibly satisfying.

Prepping the Unit

There are a plethora of YouTube videos on how to set-up your drone if you’re not inclined to read directions, and this was the route I took. In truth, set up is simple. In my mind, attaching the propellers was going to be a daunting task, but the design makes assembly nearly impossible to screw up.

The DJI Mavic 2 Pro features a Hasselblad camera with a 1″ sensor. Photo by Allen Murabayashi

Like other drones, the Mavic 2 connects to your smartphone (Android or iPhone) via the DJI Go app (your phone is used as the live monitor), while the controller provides the RF connection to the drone. I had to update the firmware on both devices and update the geofencing database – a mechanism on most consumer drones to avoid flying in restricted areas.

The “Fly More” kit (USD$139) gives you additional batteries and a charging hub that holds up to 4 batteries. But beware! The hub doesn’t charge batteries simultaneously – it charges them in sequence with priority given to the battery with the most charge.

Maiden Voyage

Orienting yourself in 3D space takes a while. It’s not hard to fly the drone at all, and by most accounts, the Mavic 2 is significantly quieter than most drones. The left joystick controls altitude and nose direction, and the right joystick controls forward, backward, left and right movement. But maintaining visual line-of-sight of the drone is challenging because it wasn’t intuitive to match what I saw on the screen with the position of the drone. The drone was often lower on the horizon that I anticipated, but still higher on the altimeter than I thought.

The approximately 30 minute battery flight time went by in a flash during my maiden flight. There was so much to see, and soon the controller’s low battery warning (which kicks in at 25% by default) was incessantly beeping. You’re definitely going to need multiple batteries for any serious use.

Stills

In 2015, DJI bought a minority stake in Hasselblad. In early 2017, the minority stake became a majority stake, and the Mavic 2 Pro’s camera is company’s first collaboratively designed drone camera featuring a 20MP 1” sensor – a pretty significant update from the Mavic Pro’s 1 / 2.3” sensor – and akin in size to the Sony RX100. The camera has a variable aperture (f/2.8 – f/11), an ISO range up to 12,800 and a field-of-view roughly equivalent to an iPhone (28mm on full-frame).

Sunset surfers. Photo by Allen Murabayashi

DJI also brags about integrating Hasselblad Natural Colour Solution, an optimized color profile that “delivers the best possible natural colors from the selected chip without having to select from multiple presets.” I did find the JPGs to be punchy with some images appearing with boosted saturation and contrast similar to something out of an iPhone or Pixel.

You can also shoot in RAW which yields a DNG file (not a Hasselblad 3FR file), which can be processed in your favorite image editing program, or you can download Hasselblad Phocus for free.

Mokoli’i island. Photo by Allen Murabayashi

The UI allows you to toggle between still and video modes. You can’t do both simultaneously, although you can obviously use a video grab if there is sufficient light. Taking a picture is accomplished by pressing the virtual shutter button, which momentarily freezes the display. There is a burst mode, but I opted to use the single shot mode. Timing became pretty essential.

Still photography has been my main interest, and I found taking pictures to be an intuitive process that yielded great results. It took a few days of shooting to find which angles I thought worked best from a birdseye view, but the results were worth it.

Sea wall. Photo by Allen Murabayashi

The camera’s light meter had a tendency to blow highlights. This was particularly noticeable when shooting video in high dynamic range situations. But you can dial in some exposure compensation, or set the camera in a completely manual mode.

Video

In the basic video mode, controlling camera and drone movement is completely manual. Although I had some complex camera movements in mind (e.g. circling a subject at a constant distance), my flying skills weren’t good enough to do it convincingly. Add in the ability to tilt the camera up and down, and you suddenly realize why DJI created pre-programmed modes.

For example, the drone can auto-track a subject, which also has the added benefit of enabling all of the omnidirectional collision avoidance sensors. And I have to tell you, seeing the drone track something or someone while avoiding things around it is pretty incredible. Tracking isn’t flawless with fast-moving subjects or when the camera loses contrast detection, but it’s good enough for many applications.

The camera supports DJI’s 10-bit Dlog-M Color Profile. For video amateurs like myself, this means that the tonally flatter output is easier to color grade in post. Because I’ve had very little experience grading footage, and don’t own any plug-in LUTs, I decided to stick with the out-of-camera H.264 4k video, and still came away impressed.

It’s also a testament to the gimbal. Even in situations where I was getting high wind speed warnings, the video was often incredibly stable. Clearly the state of consumer gimbal technology has improved to near professional quality levels – and DJI has leveraged their experience in their Ronin line of camera stabilizers.

But the gimbal can only do so much. In high wind areas, excessive movement will cause the jelly-like appearance of the rolling shutter.

Other Considerations

As a part of the drone’s start-up sequence, it calibrates an IMU, or inertial measurement unit. This bit of electronics is responsible for making sure the drone is where it thinks it is and is moving in the direction that it should be. As such, it’s somewhat sensitive to magnetic interference, and I was surprised to find things like metal fences and rebar in concrete sometimes caused the unit to throw an error.

Also, the unit that DJI lent me for this review started acting up after a couple of days. The process of connecting to the controller to the drone degraded and it became continually more difficult to pair until it stopped altogether.

I tried using the somewhat abysmally designed desktop software DJI Assistant 2 to try downgrading the firmware. But the software wouldn’t connect the Mavic 2 to my MacBook Pro.

Photo by Allen Murabayashi

I was so frustrated after spending hours trying to debug the unit, that I ended up buying my own Mavic 2 Pro at a local Best Buy, and that’s perhaps the best endorsement I can make of the unit. I had so much fun in the first few days of using the drone, that the thought of not having it for another week while visiting my parents in Hawai’i was unfathomable.

My unit performed flawlessly for the rest of the trip.

Photo by Allen Murabayashi

Conclusion

I ended up flying the Mavic 2 Pro every day. I even woke up before sunrise one morning to go flying, which is frankly unheard of for this night owl. Using a drone in a big city like New York is impractical (and mostly illegal), but in less densely populated areas of Hawai’i, it’s a dream.

Like a new lens, the drone is simply a tool that allows you to capture the world in a different way. And right now, I’m in the honeymoon phase. But with its ability to get you into positions you physically cannot occupy, drones seemingly offer more unusually creative perspectives – fueling my creatives juices and motivation.

Given that this was my first experience with a drone, I don’t really have any basis for comparison. But I can say even first time flyers will have no problem piloting the drone and capturing compelling content. It’s a compact, incredibly well-designed piece of hardware with stellar image quality. All of this to say that the Mavic 2 Pro is a pretty damn good piece of gear, and I can’t wait to “Go Fly” again.


About the author: Allen Murabayashi is the Chairman and co-founder of PhotoShelter, which regularly publishes resources for photographers. The opinions expressed in this article are solely those of the author. Allen is a graduate of Yale University, and flosses daily. This article was also published here.


Source: PetaPixel

I’ve Never Flown a Drone. Here’s My Review of the DJI Mavic 2 Pro

DJI Matrice 200 Drones Are Falling Out of the Sky

DJI Matrice 200 Drones Are Falling Out of the Sky

If you fly a DJI Matrice 200 drone, beware: there are reports of the drone losing power and falling out of the sky. DJI says it’s currently investigating.

BBC News reports that UK police have grounded the drone after a police drone “experienced an in-flight issue” and landed onto the roof of a commercial building. Officials later stated that some of the drones suffered a “complete loss of power during flight.”

The UK’s Civil Aviation Authority (CAA) then followed up with a notice warning that a bug can result “in the aircraft falling directly to the ground,” even when the battery still holds a charge. As a result, the CAA is advising that operators stay at least 50m (164ft) away from (and never directly above) people, vehicles, and structures.

DJI quickly issued a notice last Friday acknowledging that it received reports of the issue and vowing to investigate and fix the problem.

DJI followed up with another notice today advising owners to fly with caution if they use TB50 and TB55 in their drones.

DJI’s TB50 (left) and TB55 (right) batteries.

“DJI is investigating reports that a small number of batteries have shown incorrect power levels that have led to loss of power mid-flight,” DJI writes, saying that it’s working on a firmware update for the affected batteries that will provide “improvements to flight safety.”

You’ll be able to download the firmware fix through the DJI Pilot App in the “coming weeks.” Until then, DJI is instructing owners to land and recharge when their batteries reach about 30% of their capacity.

These latest reports are reminiscent of the disastrous launch of the GoPro Karma camera drone back in 2016, when owners also had their drones plummet mid-flight. GoPro quickly recalled the Karma and later determined that the power loss was caused by a faulty battery clasp. The Karma was returned to the market, but it wasn’t able to find a place in an industry dominated by DJI — GoPro announced in January 2018 that it would be killing off the Karma and exiting the drone business.

(via DJI via Engadget)


Source: PetaPixel

DJI Matrice 200 Drones Are Falling Out of the Sky

A Recipe for a Little Red Riding Hood Photo Shoot

A Recipe for a Little Red Riding Hood Photo Shoot

For most kids, deciding what to wear for Halloween is an exciting time to make a yearly memory. This is no different for my own daughter. However, this year, she received her costume from a neighbor as a hand-me-down. The joy on her face was priceless! Now that she had her costume, it was my job as her father and photographer to make her look epic.

The outfit reminded me of an Adorama TV feature that Gave Hoey did years ago that also included the character of Red Riding Hood:

As I wanted to use this video as inspiration, but not copy, I choose not to simply review this photo rather than the entire video. This allowed me to make it my own style and look. In keeping with the season of yummy treats, I thought I would write this article in the style of a recipe. Enjoy!

Ingredients

Being a portrait photographer I had all the items I needed for this shoot. Which include:

Body: Canon 5D Mark III
Lens: Canon 85L 1.4IS
Speedlight: Canon 600ex-rt
Trigger: Canon ST-E3-RT
Modifier: Westcott 26″ Rapid box with beauty dish
Stand: Cheetah C10
Filter: Tiffin 6 Stop ND filter
Additional: Sand bags for support
Most importantly: One super cute and excited 7 year old ready to live a fantasy as Little Red Riding Hood.

Location

Living in the city, a nearby forest was hard come by. What I did have though was a city park with a line of trees rich in autumn. The shoot began 30 minutes before civil twilight which helped give a soft glow to the trees in the background. The ambient light was a bit bright when I opened up the lens completely so I used a 6 stop Neutral Density (ND) to compensate.

Oven Settings

I realize settings are dependent on the conditions and therefore will not apply to all circumstances, but you can use them as a guide. After all, you don’t want to over-cook your treat!

ISO: 100
Aperture: f1.6
Speed: 1/80th of a second (Image Stabilizer on)
Flash: Powered at 1/32 power about 4 to 6 feet away

Tip: As long as your ambient exposure is 1 to 3 stops underexposed and you compensate with flash power, you should be able to get the desired look. It’s really that simple!

Presentation

Honestly, I don’t watch a bunch of cooking shows, but I do know a great portrait has good composition. As you can see from one image above, soccer goal posts would have ruined the look. Thus, I placed my daughter in a line of trees that would give the viewer a sense that Little Red was in the woods off to grandmother’s house. My daughter, who loves posing and play acting took over and began to have fun. For a little extra flare my wife through some leaves into the shot.

Final Touches

I took the RAW images which were mostly complete into LightRoom. I added a pinch of dehaze, a bit of an S in curves and then some highlighting and shadowing to taste. The result Is one very happy and very excited little girl, “Daddy I look magical, I love them thank you!”

I hope this inspires you to go out and have fun. As photographers, we have the opportunity to make a child’s dreams and fantasies come true.


About the author: Christopher Buschelman is a 35-year-old fine art and portrait photographer based in Papillion, Nebraska. The opinions expressed in this article are solely those of the author. You can find more of Buschelman’s work on his website, Instagram, portrait Instagram, and Facebook.


Source: PetaPixel

A Recipe for a Little Red Riding Hood Photo Shoot

Laowa 10-18mm: The World’s Widest Rectilinear Full-Frame Zoom Lens

Laowa 10-18mm: The World’s Widest Rectilinear Full-Frame Zoom Lens

The Chinese lens manufacturer Venus Optics has revealed the full details of its new Laowa 10-18mm f/4.5-5.6 FE lens for Sony mirrorless cameras. It’s the world’s widest rectilinear full-frame zoom lens.

The lens was first unveiled back in April 2018, but details were slim and there was no word on pricing and availability.

Venus says that the lens was created in response to mirrorless camera shooters wanting a compact wide-angle zoom lens. The 10-18mm is the smallest lens in its class, measuring just 3.5 inches long, weighing just 17.5 ounces (<500g), and having a lens diameter of 70mm.

“It is a welcome relief for landscape, adventure or travel photographers that are traveling over long distances and struggling to find a compact wide-angle zoom to pair up with their cameras,” Venus says.

The lens has a field of view that ranges from 102° (18mm) to 130° (10mm), allowing for “many impossible shots.”

A rear filter thread on the lens supports 37mm UV/ND filters.

There’s also an optional 100mm magnetic filter holder system.

Features and specs of the Laowa 10-18mm f/4.5-5.6 FE include a 5-blade aperture, 14 elements in 10 groups, a minimum focusing distance of just 0.5 feet (15cm), 0.25x magnification for macro photos, and a switch that toggles click/clickless aperture adjustments.

Here are some sample photos captured using the lens:

In 2016, Venus Optics unveiled the world’s widest f/2.8 rectilinear lens in the Laowa 12mm f/2.8. Prior to this latest Laowa 10-18mm lens, the previous “widest” title holder for this class of lenses was the Canon 11-24mm f/4L.

The new Venus Optics Laowa 10-18mm f/4.5-5.6 FE will hit store shelves in late November 2018 with a price tag of $849. Pre-orders can be placed now.


Source: PetaPixel

Laowa 10-18mm: The World’s Widest Rectilinear Full-Frame Zoom Lens

How to Shoot an ‘Impossible’ 1400MP 14mm f/0.2 Portrait

How to Shoot an ‘Impossible’ 1400MP 14mm f/0.2 Portrait

Want to shoot an “impossible” f/0.2 portrait? Here’s a 3.5-minute video in which photographer Tony Northrup demonstrates the Brenizer Method, which effectively turns a telephoto lens into an ultra-fast wide-angle lens.

The Brenizer Method, popularized in the modern day by photographer Ryan Brenizer, is simply a stitched panorama in which a portrait subject is featured in the frame.

Using a Nikon 105mm f/1.4E lens and shooting in portrait orientation, Northrup photographed both his model and the entire surroundings around by panning his camera around in small shifts.

Once you have a large number of shots, you’ll need to stitch them together into a single wide-angle panorama of the scene. Northrup uses Microsoft’s free ICE (Image Composite Editor).

There are other programs out there that can also stitch a large set of photos together automatically into a panorama, but Northrup has found that Microsoft ICE consistently produces good results with fewer errors than other options (e.g. Lightroom’s Photo Merge).

Here’s the resulting portrait that Northrup ended up with:

Based on the measurements, Northrup concluded that it’s the equivalent of a photo shot using a 14mm f/0.2 lens mounted on a 1,400-megapixel square-format camera. It’s a photo that could be printed 10-feet-wide at 300dpi.

This technique “creates an effect that people aren’t used to seeing. And anytime we can make a photo that’s a little bit visually different, we can make something unique and striking and something that gets a little bit of attention.”

You can find more of Northrup’s videos on his YouTube channel and more of his training through his website.


Source: PetaPixel

How to Shoot an ‘Impossible’ 1400MP 14mm f/0.2 Portrait

Light Duel: An Animation Made with 300 Light-Painting Photos

Light Duel: An Animation Made with 300 Light-Painting Photos

Light-painting artist Darren Pearson created this short animation titled “Light Duel.” The 14-second film was created using 300 long-exposure photos with light drawings that were tirelessly painted into the scenes by hand.

The animation shows a duel between a light skeleton named Shiny Bone Jones and a human named Astro Bandit (AKA Jordan Pearson).

After the animation itself, the video contains a behind-the-scenes video showing how involved creating it was.

You can find more of Pearson’s work here and on his website.

(via Darren Pearson via Laughing Squid)


Source: PetaPixel

Light Duel: An Animation Made with 300 Light-Painting Photos

Rebecca and Fiona Talk The “Art of Being a Girl”

Rebecca and Fiona Talk The “Art of Being a Girl”
There’s plenty of evidence to suggest that Swedish pop duo Rebecca & Fiona are a single entity, split into two bodies. For one, they’re prone to finishing each other’s sentences, as if they’re operating from a singular hive mind. They rarely (if ever) fight and their fearless, always on point aesthetic suggests they pull their sort-of-but-not-overly coordinated looks from a single closet. To be friends with one is to be friends with both. They even share an Instagram account.   

Keep on reading: Rebecca and Fiona Talk The “Art of Being a Girl”
Source: V Magazine

Rebecca and Fiona Talk The “Art of Being a Girl”

SZA Teases Sooner-Than-Expected New Album

SZA Teases Sooner-Than-Expected New Album
Hide your wigs and your coins because SZA is ready to snatch them both. Following her set at Power 105.1’s Powerhouse festival last night, which included a surprise cameo by fellow headliner Cardi B, the V113 cover star dropped yet another surprise: that she’s currently hard at work on a follow-up to her 2017 smash CTRL—and it could arrive before the end of the year.

In an interview backstage with the NYC-based radio station, SZA vowed that the album would be even more personal than her…

Keep on reading: SZA Teases Sooner-Than-Expected New Album
Source: V Magazine

SZA Teases Sooner-Than-Expected New Album