About Chris Hunt

http://www.chrishunt.com

Chris Hunt is a fashion and advertising photographer, based in New York, Los Angeles and Mexico City. Originally from California, he has spent the last 15 years living and working in Europe, Asia, Latin America, Moscow and across the United States. Beginning his career as a photojournalist, Chris then moved into fashion photography after working as a model agent for several years in L.A. He has recently broadened his portfolio into film, directing TV commercials for fashion and lifestyle brands. Chris balances outstanding creative talent with an impressive level of technical expertise, delivering impeccable professionalism and work of the highest quality with a relaxed and friendly attitude. On the rare moments he is not in his studio, Chris can be found pedaling his road bike through Italy, SCUBA diving in the South Pacific or riding a motocross bike in the mountains of California. His advertising clients include Google, TELCEL, Mitsubishi Automobiles, Pond's, Samsung, GNC, Chevrolet, Knorr and Garnier. He also works for fashion and beauty clients such as BCBG Max Azria, Herve Leger, Forever 21, bebe, ALDO, Nine West, Macy's, GAP, Banana Republic, Wet Seal, Arden B., Jockey International, Avon, Liverpool, Skechers, Fox Girls, Billabong, Stila Cosmetics and C&A. His work has been published in international magazines including VOGUE, Marie Claire, Cosmopolitan, Seventeen, Interview, Maxim, Surface, Men's Health, Nylon and InStyle. High profile clients include sports stars Maria Sharapova and Wayne Gretzky and rappers Ludacris, Ice Cube and 50 Cent.

Posts by Chris Hunt:

BACK TO AMY AT SXSW

BACK TO AMY AT SXSW
V’s Greg Foley chatted with Charles Moriarty about the stories behind the images in his show Back To Amy, from the book of the same name.

For the first time in North America and 12 years after she graced the stages of SXSW, The Back to Amy exhibit opened this week for reaction, contemplation, and celebration. The vibrant photo showing gives a rare glimpse into the life of 19 year old Amy Winehouse just prior to the release of her celebrated first album, Frank. London based photographer Char…

Keep on reading: BACK TO AMY AT SXSW
Source: V Magazine

BACK TO AMY AT SXSW

Louis Vuitton Makes More Waves

Louis Vuitton Makes More Waves
After riding the ’80s redux wave last summer, Louis Vuitton is going back in the water. As part of the brand’s New Wave bag line, two classics—the bumbag and the camera bag—are taking a dip in the ’80s-inspired collection’s totally tubular color palette. Embodying an on-the-go, visually driven lifestyle, the remixed models retain their original lightweight constructions—the bumbag a crossbody/fanny pack hybrid and the camera bag a DSLR-sized case for everyday—while incorporating New Wave…

Keep on reading: Louis Vuitton Makes More Waves
Source: V Magazine

Louis Vuitton Makes More Waves

Iggy Azalea Introduces “Sally Walker”

Iggy Azalea Introduces “Sally Walker”
Iggy Azalea has had a tough couple of years recently. After a very public breakup with ex-fiancée Nick Young and two major label moves following her debut album, Azalea seems positioned to finally reclaim her reign on the rap throne. “Sally Walker,” Azalea’s first song in seven months, is the debut single from her long-anticipated sophomore album, In My Defense. Over a “Humble”-esque piano trap beat, the Australian raptress shows off her lyrical prowess and playful delivery. Stemming…

Keep on reading: Iggy Azalea Introduces “Sally Walker”
Source: V Magazine

Iggy Azalea Introduces “Sally Walker”

The First Great Photography Craze: Cartes de Visites

The First Great Photography Craze: Cartes de Visites

Before Instagram, selfie sticks, disposable cameras, Polaroids, and box brownies, there were carte de visites — small photographic albumen prints, mounted on card, which were wildly popular during the Victorian era.

Also known as CdV, carte de visites followed the early pioneering photographic techniques such as daguerreotype and ambrotype, which were expensive and difficult to reproduce. Cartes de visites were born from calling cards, which bore the owner’s name and usually an emblem, and were presented to the host during a social visit. Homes often had a tray near the door for collecting calling cards.

In 1854, Paris photographer Andre Adolphe Disderi patented the 2 1/2″ x 4″ carte de visite format. They were created by using a sliding plate holder and a camera with four lenses. The technique spread to the photographic studios in the great cities of the world. Carte de visites were extensively used in the American Civil War era as families sought mementos before loved ones left for war. Queen Victoria had numerous albums filled with images of her extensive family.

Small and inexpensive to produce, cartes de visites became the international standard. They were collected, exchanged and placed in family albums. Most carte de visites were taken in studios but some adventurous photographers took them outdoors in early examples of photojournalism.

For many people, posing for a carte de visite was the first time they had been photographed. Smiles are almost completely absent. Some people look ill at ease. Most photographers posed their subjects as if they were being painted for a grand oil painting. Look past the stern expressions and you will see Victorian fashion, various accessories and props, uniforms, and hairstyles and epic facial hair.

From 1860 until the end of the century, carte de visites were immensely popular. But people didn’t just want pictures of themselves or loved ones, carte de visites of celebrities were also in demand. Images of politicians, authors, explorers, sports stars and other people of note were widely circulated. Eventually the larger cabinet cards replaced CdVs as the technology behind photography continued to advance.

A Selection of Carte de Visites

Bottle Corker. This undated photo was taken in Birmingham in the Midlands. We assume a bottle corker was someone who put corks into bottles rather than removed them.
Soccer Player. An unidentified Scottish footballer/soccer player. The photo was taken by John Spence of Bridge Street, Musselburgh. Circa 1880.
Australian Soldier. Taken in Sydney in 1863, the uniform appears to be that of the New South Wales Volunteer Artillery.
Mother and Baby. This was taken in the English seaside town of Torquay circa 1880. Interesting to see that the design of the baby carriage (aka the stroller) has come full circle
Kit Carson. This 1862 carte de visite shows Kit Carson (seated) and Edwin Perrin. Carson was a frontiersman and a Wild West legend in his own lifetime. Here he is pictured in his Union army coat. Perrin led the 1st New Mexico Volunteer Infantry in the American Civil War.
General Custer. George Custer in his Union uniform in 1865. The photo is printed from a negative taken by Matthew Brady, who was best known for his Civil War photography. Custer, a Civil War hero, was killed at the Battle of the Little Big Horn in 1876.
Man with Top Hat. This gentleman from Palermo in Italy, circa 1870, looks like a true man about town in his immaculate clothing, dapper cane and stupendous top hat laid to one side.
Alexandre Dumas Pere & Adah Isaacs Menken. Adah Isaacs Menken was the highest paid actress in the middle of the 18th century. While performing in France in 1866, she had an affair with author Alexandre Dumas, which caused a scandal as he was more than twice her age. Her only book, Infelicia, a collection of 31 poems, was published several days after her death.
Hans Christian Andersen. The Danish author of The Little Mermaid and The Snow Queen poses for a carte de visite. A keen traveler, Andersen died in 1875.
Victor Hugo. An 1874 carte de visite of Hugo. He published his last novel in 1874, Quatre-vingt-treize, about the Reign of Terror during the French Revolution.
Boy and his Toy Horse. Circa 1880s and taken in Liverpool, the smartly dressed boy is also holding a riding crop.
Little Artists. Booted and suited, two smartly dressed boys from Naples. Circa 1860.
Lady Reading. This Italian lady is completely focused on her book. Circa 1860.
Soldier and Wife. Circa 1890, this carte de visite was taken in Bury St Edmonds. The two stripes show that he was a corporal. He’s smoking while she holds a book and looks decidedly uncomfortable.
Italian Solider. This military man from Bologna looks completely at ease. Circa 1890s.
David Livingstone. “Doctor Livingstone, I presume?” This is the explorer David Livingstone, who was famously found by fellow explorer Henry Morton Stanley in 1871 near Lake Tanganyika in Africa.
Three Priests. A trio of Catholic priests in Rome circa 1870. Two are following instructions and posing for the shot but the third isn’t cooperating. Looks like a scene from Father Ted.
Sultan of Turkey. Abdul Aziz Khan was the 32nd Sultan of the Ottoman Empire, and reigned between 1861 and 1876. A formidable looking man.
William Makepeace Thackeray. Taken in London, undated. William Makepeace Thackeray was a novelist famous for writing Vanity Fair.
Edward VII. Taken in September 1863 when he was the Prince of Wales, Edward is wearing full Highland dress. Abergeldie Castle is close to the Queen’s Scottish home of Balmoral.
Randolph Churchill. Winston’s dad. Randolph was both Chancellor of the Exchequer and Leader of the House of Commons during his Tory political career.
Swiss Costume. Circa 1870, a lady in traditional Swiss dress.
Water Carrier. A Venetian water carrier around 1870.
Facial Hair. This gentleman from Torino has outstanding muttonchops. Circa 1870.
Dad and Kids. It must have been a cold day when this father posed with his warmly wrapped up children.

About the author: Richard Davies is the Content Manager at AbeBooks. This article was also published here.


Source: PetaPixel

The First Great Photography Craze: Cartes de Visites

The Man Who Makes Cameras Out of Everything from Fruit to Campers

The Man Who Makes Cameras Out of Everything from Fruit to Campers

ILFORD PHOTO just released this 15-minute short film that looks at the work of Brendan Barry, a large format photographer, lecturer, and camera builder who does unusual work with cameras and photography. It’s titled, “The Camera Maker.”

Barry shared back in 2017 about how he turned a camper trailer into a giant camera and portable darkroom.

But that project is only a slice of what Barry has been working on. He builds cameras out of things like fruit (a melon) and mannequins. And using his homemade cameras, he creates prints on direct positive paper as well as black-and-white paper negatives.

The film also shows the inner workings of his camper camera on location while he shot in Dartmoor National Park. Barry also converts an abandoned Royal Air Force air traffic control tower into a camera and darkroom.


Credits: Video created by Exploredinary


Source: PetaPixel

The Man Who Makes Cameras Out of Everything from Fruit to Campers

Tom Ford To Be CFDA Chairman

Tom Ford To Be CFDA Chairman
Rumour has it, American designer Tom Ford is set to take over as chairman of The Council of Fashion Designers of America. According to multiple reports online, Ford will be replacing Diane von Furstenberg as she plans to step down from her current role that she has held for an impressive 13 years. And during which she has dramatically changed aspects surrounding the council as well as in how the fashion world operates.

We will have to wait until next week to hear whether Ford is appointed on…

Keep on reading: Tom Ford To Be CFDA Chairman
Source: V Magazine

Tom Ford To Be CFDA Chairman

SXSW 2019 Film Festival and Awards Recap

SXSW 2019 Film Festival and Awards Recap
The annual South by Southwest (SXSW) Conference and Festivals has been in full session, with yesterday’s 2019 Film Award ceremony celebrating the talent and creatives that participated in this year’s program.

The ceremony took place at the Paramount Theatre in Austin, Texas and is an official qualifying festival for the Academy Awards Short Film competition as well as a BAFTA-recognized festival for the EE British Academy Film Awards.

Yesterday’s winners included “Alice”, Josephi…

Keep on reading: SXSW 2019 Film Festival and Awards Recap
Source: V Magazine

SXSW 2019 Film Festival and Awards Recap

Making MAYA, the Only Darkroom Timer You’ll Ever Need

Making MAYA, the Only Darkroom Timer You’ll Ever Need

MAYA is a darkroom timer project that was born out of necessity when my old darkroom timer had started to malfunction. It has become a pretty successful crowdfunding campaign so far, exceeding 300% of its initial goal with a few days left to go.

Like many people who still have a darkroom, I’ve bought most of the equipment in the used market. As is the case with such niche markets, you can’t always pick your choice from an endless supply of brands, models, and variations so I went for the best deal I could see, a Kaiser 6002 with several boxes loaded with all kinds of darkroom supplies. The seller was one of the nicest people I’ve met and explained in great detail what I was walking out with. In one of those boxes, there was a darkroom timer.

He had fully explained that it wasn’t the best timer in the world. It would only have two functions, turn the enlarger lamp on and off at my will so that I could focus and upon pressing the countdown button, it would turn the enlarger on for a set amount of time, making an exposure. Except that every now and then it would get stuck (usually around the 15-second mark) and give me an unending exposure, resulting in crushed blacks and grayed out highlights, depending on how late I was to react to the needle getting stuck.

Approaching the zone of doom… or maybe it’ll be fine this time…

I had looked for replacement timers and I still remember closing down all the tabs in my browser in frustration. Even the simplest timers, similar to what I had, would cost more than I’m willing to pay. As I had gained more darkroom experience, I began to realize I didn’t want a similar replacement anyway. Having such a simple timer became quite limiting as I had begun to work with split grades, multiple exposures, dodging and burning, flashing the paper… Each session I was finding myself more willing to get a much more capable unit, something that would let me set it up as I want and then simply get out of the way as I was making the final print.

There’s a good deal of work behind even a simple print like this

Then on one such day, I was met with my timer’s much-worsened situation. Now it would get stuck much more often and at every single spot on the dial. It was almost impossible to even make a reliable test strip with repeated 5” exposures. So I began revisiting all the manufacturers who still make a darkroom timer, along with the used ones commonly available.

Did not like any of them.

I was looking for something more practical. Even though I shoot film, mostly using equipment that was designed and built decades ago, that doesn’t mean I want to work with a badly designed interface with 4-digit numeric codes and lookup tables requiring multiple button combinations and memorizing what and where everything is. It’s 2018 (it was back then), why can’t we have something with a proper LCD? Why is anything with F-Stops so expensive? Why am I expected to pay 350$/€/£ for some add-on which is basically a 0.20$/€/£ electronic part attached to a cable? Why do I have to buy a different model with different capabilities which clearly runs on the exact same hardware, if all I want is some of those capabilities? Why can’t this be done with a simple firmware update?

I could do better than this.

I knew people were already building simple timers using Arduino microcontrollers. So, why not build something far more advanced? It’s a small computer that is available cheaply and is easily reprogrammable. If it handles 3D printers, CNC machines and all kind of silly robots that you can find all over the Internet, how hard would it be to ask it turn a light off and on?

A few seconds after these thoughts, my industrial designer instincts kicked in. “It’s just software in a box”, a voice said from the back of my head. “Just build another box, upload the software and you have a copy that you can sell. If it turns out as good as you imagine it to be, people will buy it”.

Can you hear the people queuing up?

So I went out, bought two Arduino boards, an LCD and assorted lengths of wire and started working with them. Did a whole notebook worth of sketches of both the physical and the graphical user interface. From the start, I wanted to have dials and a few buttons that I could repurpose as I saw fit. It has a screen, after all. I could communicate with the user, telling what each of these dials and buttons does in a given menu or mode. Yet at the same time, I would keep the two most essential buttons serve only one purpose, one to focus and one to expose. No double clicks, no press and hold, no excuses. Press them and they should do their job.

First sketches of the box

Even though having an LCD is nice and informative, I wanted to have another way of displaying the most crucial information, the countdown time and the contrast filter that I’m supposed to use. For that, I added two large displays to either side of the LCD. Shortly afterward it became natural to look at those displays to figure out what I was supposed to do next when making a print; expose for a certain amount of time, replace the contrast filter, dodge or burn a certain area.

Maybe I should have gotten two egg timers. Nah, I’ll just design and build a small computer:

After deciding on the basic design language, I began to design the graphical user interface, all the menus and screens. There were many variations, seemingly good concepts that were abandoned shortly after using them in the real world and seemingly dead ends that made it back somehow into later versions.

One such concept was replacing the LCD with an E Ink display. Would’ve been easy to read under the red safelight and I liked the idea of displaying a clock face on the e-ink display to act as a progress bar. Had to abandon this idea after realizing even with partial refresh, e-ink displays have a very low refresh rate and a very annoying blink when refreshing the whole screen. Shelved the concept without building a single prototype and maybe I’ll bring it back one day but the progress bar idea made it into the next version of the hardware, as a series of LEDs that visualize my progress along the whole print recipe or the current countdown.

Here’s me making some test strips with F-Stops (don’t have to follow the time display, the progress bar tells me how long it’ll take):

Until about that point, the whole thing was still a pet project that I intended to build as a replacement for my timer. When I shared it on a few Facebook groups (The Darkroom and Medium&Large Format film Photography, both excellent places of exchanging information and photography), it was met with great encouragement, very positive feedback and quite a few new ideas. There were also the occasional “yeah cool but I like having a basic timer,” which is still valid feedback, some people don’t care for what I was after at all. That day I had made up my mind, I would prioritize this project, get it out on the market for everyone who’d like to have one and… then what?

What if I had built an enlarger as well? Or an automated film processor, some people really like that idea as it’s been demonstrated quite a few times in the last years. What else? There is quite a capable microprocessor inside MAYA and if I had planned the hardware ahead, I could’ve come up with all sorts of darkroom related hardware and make them work with it via a simple firmware update. How about an affordable densitometer? A shutter speed tester? A head probe for people who use cold light enlargers, one of the many great ideas that came from that thread on Facebook? Support for Ilford Multigrade heads? I had already separated the Power Bar (where all the darkroom appliances are connected to) from the control unit so most of these enlarger-unrelated add-ons would simply use the same interface for communication and with the right hardware, I could even use MAYA as a sous vide machine.

Definitely sous vide

Is it sous vide if you do everything by hand? (It already does have a separate mode for film process timer and an auto-compensating thermometer)

With all my plans set, I could finally launch a crowdfunding campaign. I knew that there’s a great deal of negativity surrounding crowdfunding projects these days, especially in our community thanks to a few projects who have cheated out quite a few people by either overpromising with fancy looking non-working prototypes or cool-sounding concepts that became to no fruition of any kind. With no previous projects of this kind or a bought-and-repurposed brand name that is familiar in the industry, I had to be as transparent as possible. Which meant taking an extra month or two developing the concept into a later stage, shoot a lot of videos, share them around, show MAYA in use for everyone to see and understand.

Photo of the first prototype unit
White Edition, has mostly the same capabilities without some of the bells and whistles

Since I’m in such a late stage of design, there isn’t much to do before finalizing the product. One aspect that I had not finalized is the final choice of materials and production methods. For that, I had to see how many of these I’d expect to build. Even if I had sold only a handful of units, I could still be able to deliver by using traditional production methods. If I had approached triple digits, I could use some more sophisticated materials and techniques to build them. Deep into triple digits would’ve been pretty much mass production with me being much less involved in most of the steps, except for final assembly, quality control, and delivery.

All I had needed in the first place though, was a handful of people to believe in my project.

Met that initial goal in about than 39 hours. Had doubled it in less than a week and with only a few days to go, I’ve passed 300% of my initial goal. This could only happen with the help of some lovely people in the community. The people who spread the word around. What we see the most often is all the negativity in the comment section and forum threads but we don’t hear enough praise for people who share their enthusiasm with others.

So once again, thank you everyone who had ever left a comment on any of my posts anywhere. Thank you to everyone who shared the word around, in the forums, Facebook groups, mail groups and Discord servers they hang in. Couldn’t have done this without some people spending night after night of their own time, giving me new ideas, feedback and encouragement. We, as a photography community in general, are getting fewer in numbers (even though film photography is actually growing) and the best part of this project has been meeting all the lovely strangers over the Internet. Thank you, everyone.

And here we are. With the crowdfunding about to be completed, hard work awaits me. I have to debug my code, do a few experiments with the future projects to ensure compatibility, finalize the design, order and manufacture the parts and put everything together. With the extra funding raised, I’ve already begun working on a few of those steps and assuming everything goes smoothly, will deliver the first batch in July and the second batch in August.

Then I’ll return with another project. Something that I’ve already been working on…


About the author: Can Çevik is an industrial designer and film photographer based in Istanbul, Turkey. The opinions expressed in this article are solely those of the author. Çevik is the inventor of MAYA, an advanced darkroom timer. You can find more of his work and photos on Instagram.


Source: PetaPixel

Making MAYA, the Only Darkroom Timer You’ll Ever Need

These Car Ads Were Shot with Toy Cars

These Car Ads Were Shot with Toy Cars

A few months ago, the Czech car brand Škoda got in touch with Hungarian photographer Benedek Lampert and asked him to shoot car photos. But instead of expensive shoots featuring real Škoda cars, the company asked that Lampert only use 1:43-scale models of the cars.

“It sounded interesting, so I accepted,” the 24-year-old photographer tells PetaPixel. Lampert regularly shoots realistic small-scale photos featuring LEGO figurines in dioramas, so he had the necessary background and skills for this commission.

Lampert uses as little Photoshop manipulation as possible for his photos, opting instead to spend hours and hours creating miniature scenes with as many real elements as possible (e.g. smoke and dirt). Most of the photos took him 7 to 12 hours each to complete, but one particular shot took a whopping 10 days for set building, concept work, shooting, and post-production.

While it would be easier to fake things like motion blur using Photoshop, Lampert actually captured it on camera — the blur you see in the backgrounds and in the cars’ wheels wasn’t the result of digital manipulation.

Here are the photos that Lampert created for Škoda, with each one followed by a behind-the-scenes look at how it was created.

Here’s a 5-minute behind-the-scenes video that provides a closer look at how certain shots were done:

You can find more of Lampert’s work on 500px.


P.S. If you enjoyed these photos, other photographers who are well-known for doing amazing work with model cars include Felix Hernandez and Michael Paul Smith.


Source: PetaPixel

These Car Ads Were Shot with Toy Cars

Hungary Using ‘Distracted Boyfriend’ Couple to Tell Couples to Have Kids

Hungary Using ‘Distracted Boyfriend’ Couple to Tell Couples to Have Kids

The Hungarian government has launched a public campaign to encourage couples to have more children. What’s humorous is the choice of stock photo: whoever was responsible for the giant billboards chose the same couple that appears in the well-known “Distracted Boyfriend” photo meme.

The original “Distracted Boyfriend” photo by Antonio Guillem.

Shot by Spanish photographer Antonio Guillem back in 2015, the “Distracted Boyfriend” photo went globally viral as a meme in 2017. It shows a man with his girlfriend turning around to check out another girl who’s walking by (much to the annoyance of his girlfriend).

So it’s hilarious that Hungary decided to use this same couple for its latest ad campaign that aims to increase the country’s birthrate.

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The billboard went viral after a man living in the Budapest district of Zugló shot a photo of a local billboard and shared it on Facebook.

“I was driving my kids to school and my son noticed this new billboard — it’s the Hungarian government’s new ad for their pro-family benefit programs,” the man tells BuzzFeed News. “And my son immediately said, ‘this is the couple from that meme.’”

The Internet is now poking fun at the stock photo choice.

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So it looks like the two models in “Distracted Boyfriend” will now make the rounds on the Internet again in yet another viral photo.


Source: PetaPixel

Hungary Using ‘Distracted Boyfriend’ Couple to Tell Couples to Have Kids